Route all tracks into a single Aux (which I call "MASTER"), which routes to to the Stereo Output Add appropriate mastering plugins to each track. each track start time in Logic is after the prior track's end time, with appropriate silence added to hear the album in sequence)? Start the mixes at measure 1? Or space them out so that the entire project plays in album sequence (i.e. Start with either a blank project, or a MASTERING template of your own creation. IMPORT MIXES INTO A MASTERING PROJECT IN LOGIC.
What does Logic do to the bounce if no dither is applied at this stage? Does it just truncate the internal 32-bit mix to 24-bit, or does it do some more subtle process, whether an automatic dither or something else?Įdit: It seems like Logic does not auto-dither when bouncing to 24-bit. This issue still seems controversial, especially since this means there will be 2 dither phases (see below).įrom what I can tell, there is no consensus. 32-bit float if sending to a mastering engineer, or mastering in a DAW, which can accept 32-bit float files) 24-bit (if mastering within Logic, since Logic apparently still cannot import 32-bit float files!) Mix and bounce down each track within Logic. I've included a few obvious question points in the checklist.
Hopefully this is useful starting point for discussion, where others with more experience and wisdom can critique and improve, if they so wish. I'm a composer/producer/artist, and still quite "green" about mastering, so please forgive any naiveté on display. So: What's the optimal workflow for mastering within Logic? I realize this is a perennial topic, but since some of the discussions are about older versions of Logic, I thought to start a thread on it here.
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